Dean Kavanagh Movies

A found-footage film that seeks to sever all narrative ties.

A silent film adrift in the lost rooms of an old house. A final letter to an old friend.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is...

The first film in a two-part study of daily routines.

The troubling hallucinations of a deranged mind.

‘My first movie’.

Stertched images along stretched time.

A young man recalls a fishing trip from his childhood but he is uncertain if it is his own memory.

The discovery of an ancient artefact. The night extends beyond the grip of reality. The inhabitants of a small community perish.

A contract killer reluctantly accepts a last minute assignment in the run-up to Christmas. The routine job takes an unexpected turn, and he finds...

Cut to the chase was a phrase used by Hollywood studio executives, meaning “don't bore us with the dialogue - get to the interesting scenes...

A séance of old and new light.

The second film in a two-part study of daily routines.

A man cruises the streets of his old neighbourhood at nightfall.

Onlookers at the canal.

The last day of the week is the first day of the week.

Originally conceived as a road movie, Sound from the Valley Floor is at once a film diary and a perverse comedy permeated with a dream logic.

A relationship unravels during a storm. Poor Edward is considered as part of the official canon of Remodernist Film.