Vito Acconci Movies

An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.

The multiple means of making art after the end of illusionism led these artists to create performances, sculptures, earthworks, tableaux, furniture,...

A probing portrait of Chris Burden, an artist who took creative expression to the limits and risked his life in the name of art.

Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from New York’s legendary Chelsea Hotel. Once...

A completely nonlinear collage of unconnected scenes.

Documentary about the Mekons.

Explores some of the most innovative attempts by contemporary artists, filmmakers, architects etc to explore multiple Temporalities and to counter...

Inspired in form by American police TV shows and soap operas, The Golden Boat is a madcap, surreal dash through the streets of New York city, telling...

"Steven Holl: The Body in Space" explores the career of the innovative, highly renowned American architect. In this portrait Holl presents some of...

In Two Track, Acconci experiments with direct and peripheral perception of information in the context of communication and interaction. He sits with...

"Unavailable until recently, Corrections is Acconci's first single-channel video. Back to the camera, with only his head and bare shoulders visible,...

Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency...

Vito Acconci

"A view of a brick wall: the artist enters and walks from one side to the other, back and forth, row after row." - Electronic Arts Intermix

A super-8mm work documenting Acconci's audio installation piece in the Sonnabend gallery in 1972 of the same name.

Acconci imitates the sounds of war, gunfire and explosion; he thrusts his face, stomach or penis onto the screen. His childlike battle sounds are...

For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own,...

The screen is empty: the artist stands off-screen — he breathes in and out, his stomach moving into and out of the frame.

In Theme Song, Acconci uses video as close-up to establish a perversely intimate relation with the viewer, creating a personal space in which to talk...

Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.