Gary Hill Movies

  • 1966
    Skaterdater

    Skaterdater

    Skaterdater

    5.81966HD

    The film tells a story with no dialogue. The group of boy skaters are suddenly at a point when one of the boys sees a young girl, and becomes...

    Skaterdater
  • 1984
    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    01984HD

    This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...

    Why Do Things Get in a Muddle? (Come On Petunia)
  • 1976
    Mesh

    Mesh

    Mesh

    01976HD

    A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...

    Mesh
  • 1978
    Mouthpiece

    Mouthpiece

    Mouthpiece

    01978HD

    Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...

    Mouthpiece
  • 1979
    Equal Time

    Equal Time

    Equal Time

    01979HD

    In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...

    Equal Time
  • 1975
    AXIS

    AXIS

    AXIS

    01975HD

    “I was thinking of the camera as a kind of archeological tool that I could use to dig into or slice through the landscape —one among many...

    AXIS
  • 2003
    Blind Spot

    Blind Spot

    Blind Spot

    02003HD

    Blind Spot constructs a space of living portraiture by “focusing time” on an exchange between the artist (the camera) and a man on the...

    Blind Spot
  • 1977
    Bits

    Bits

    Bits

    01977HD

    Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

    Bits
  • 1979
    Resolution

    Resolution

    Resolution

    01979HD

    A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...

    Resolution
  • 1974
    Air Raid

    Air Raid

    Air Raid

    01974HD

    The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...

    Air Raid
  • 1978
    Elements

    Elements

    Elements

    01978HD

    One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...

    Elements
  • 1979
    Soundings

    Soundings

    Soundings

    01979HD

    Two color video cameras, two microphones, Dave Jones prototype modules (input amplifiers, variable soft/hard keyers, output amplifier,...

    Soundings
  • 1985
    Tale Enclosure

    Tale Enclosure

    Tale Enclosure

    81985HD

    Returning to the primal source of language, Hill explores the physical and subconscious origins of speech. In a continuous shot of a rhythmic,...

    Tale Enclosure
  • 1979
    Picture Story

    Picture Story

    Picture Story

    01979HD

    “A structural work (with humor) that uses indeterminacy to forge an abstract landscape upon which the ‘vision’ of an ox appears. A...

    Picture Story
  • 1976
    Mirror Road

    Mirror Road

    Mirror Road

    01976HD

    In Mirror Road, Hill uses the camera and image processing devices to explore the malleability of electronic colors and image density. Amorphous...

    Mirror Road
  • 1978
    Primary

    Primary

    Primary

    01978HD

    The artist’s mouth fills the whole image plane. Silently the words “red,” “blue,” “green” are slowly and...

    Primary
  • 2011
    The Psychedelic Gedankenexperiment

    The Psychedelic Gedankenexperiment

    The Psychedelic Gedankenexperiment

    02011HD

    The Psychedelic Gedankenexperiment is a declaration claiming the psychoactive event of lysergic acid diethylamide (LSD) as a "found performance" and...

    The Psychedelic Gedankenexperiment
  • 1980
    Commentary

    Commentary

    Commentary

    01980HD

    “Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...

    Commentary
  • 1977
    Bits

    Bits

    Bits

    01977HD

    Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

    Bits
  • 2001
    Goats & Sheep

    Goats & Sheep

    Goats & Sheep

    02001HD

    Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...

    Goats & Sheep