Constance Collier Movies
- 1938
Zaza
Zaza4.31938HD
A seductive music hall star falls in love with a married aristocrat.
- 2001
Rope Unleashed
Rope Unleashed6.92001HD
A short documentary about the filming of Alfred Hitchcock's 'Rope'. Interviews with screenwriter Arthur Laurents delve into the troubles of secretly...
- 1937
The Rat
The Rat7.51937HD
Jean Boucheron the cat burglar is the darling of the Montmartre whores--and catches the eye of slumming socialite Zelia de Chaumont, who decides to...
- 1946
Monsieur Beaucaire
Monsieur Beaucaire5.61946HD
A bumbling barber in the court of King Louis XV becomes engaged in political intrigue when he masquerades as a dashing nobleman engaged to the...
- 1936
Girls Dormitory
Girls Dormitory5.91936HD
When a busybody teacher in a girls' finishing school finds a love letter from a student to an unknown man, a minor scandal erupts.
- 1925
The Rat
The Rat01925HD
When bored courtesan Zelie de Chaumet begs her lover, the corrupt and powerful Stetz, to take her slumming, the pair encounter Pierre Boucheron,...
- 1916
Macbeth
Macbeth01916HD
Shakespeare's tragedy of the Scots nobleman whose ambition leads him to betrayal, murder, and damnation.
- 1948
The Girl from Manhattan
The Girl from Manhattan51948HD
A small-town girl who's made it big in New York as a fashion model returns home, only to find that her somewhat dotty uncle has mortgaged his...
- 1921
Forever
Forever01921HD
Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his...
- 1935
Shadow of Doubt
Shadow of Doubt6.21935HD
When a Hollywood producer is murdered, the most likely suspect is a man who is smitten with the victim's fiancee.
- 1929
The Return of the Rat
The Return of the Rat5.81929HD
The rich, amoral Zelie is married to Pierre Boucheron, "The Rat" - but her interest in another man is an open secret. Forced to defend his honour,...
- 1920
Bleak House
Bleak House01920HD
'The story of Lady Dedlock's secret and the tragic consequences of its exposure.' (British Film Institute)